Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.

In her contributing essay, Ulrike Gossarth states that the titleWere I Made of Matter, I Would Coloris a counter-model to the fundamental Descartian formula I think therefore I am, a position which exists between consciousness and disembodiment, in a state of incompleteness. Rainer Borgemeister discusses the artist's actions from 1978 to 1987, which were preceded by her critical engagement with modern dance. Further contributions from Mieke Bal, Michael Glasmeier, and Elliot R. Wolfson discuss Grossarth's practice in relation to history, the body, and polymorphism.

Grossarth, Ulrike --- Art, German --- kunst --- 7.071 GROSSARTH --- installaties --- performance --- performances --- kunst en dans --- twintigste eeuw --- dans

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

dansen --- Theatrical science --- Dance --- Labanotation --- dans --- kunst en dans --- danstheorie --- choreografie --- muziek --- zestiende eeuw --- Frankrijk --- renaissance --- choreografen --- componisten --- houtgravures --- dansnotatie --- Arbeau Thoinot --- Kinetographie Laban --- Kinetography Laban --- Laban system --- Dance notation

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The catalog Sharon Lockhart | Noa Eshkol accompanies the eponymous exhibition at TBA21 – Augarten in Vienna by Sharon Lockhart (November 23, 2012–February 24, 2013) which consists of a complex installation of videos, photographs, and archival material, composing a subtle and sensuous portrait of the Israeli choreographer, dancer, researcher, and textile artist Noa Eshkol (1924–2007). The book features nine essays, installation photographs of the works on show, film stills, archival material from the Noa Eshkol Foundation (notations, journals, notes), and wall carpets by Noa Eshkol.

choreography --- performance artists --- textielkunst --- Eshkol, Noa --- Lockhart, Sharon --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Lockhart Sharon --- dans --- Eshkol Noa --- kunst en dans --- fotografie --- film --- 7.071 LOCKHART --- Exhibitions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dolgedraaid tracht verbanden bloot te leggen tussen dans en onwillekeurige of repetitieve bewegingen. Doorheen een intrigerende mix van Art Brut, moderne en hedendaagse kunst, medische archiefdocumenten en filmfragmenten geeft men een beeld van verschillende expressievormen van het lichaam, het gezicht en de handen als een vertaling van hoe men in de wereld kan staan. Dolgedraaid wil geen dansgeschiedenis vertellen, maar wil onze blik verruimen en moderniteit in een ander daglicht stellen.

dans --- 7.077 --- 7.036/039 --- waanzin --- katatonie --- trance --- film --- kunst en dans --- lichamelijkheid --- kunst --- kunst en waanzin --- psychopathologische kunst --- Exhibitions --- Theatrical science --- Recreation. Games. Sports. Corp. expression --- dance [discipline] --- dancers --- dansen --- expressies --- psychiatrie --- dansen. --- trance. --- expressies. --- psychiatrie. --- dance [performing arts genre]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This volume examines the work of American artist Robert Rauschenberg (1925-2008). Rauschenberg came to prominence in the 1950s transition from Abstract Expressionism to Pop Art. He is well-known for using non-traditional materials and objects that were employed in innovative combinations. The author looks at Rauschenberg's career from the years 1951 to 1971, as seen through the context of such works as the White Paintings, Rebus, and Canyon-"Combine" paintings created from varied materials -- as well as through his close professional association with composer John Cage. He presents Rauschenberg's life and creative output with special emphasis on the influences derived from the urban environment, the artist's creative methods and studio surroundings, collaborations with choreographer Trisha Brown, and the massive and long-term Overseas Culture Interchange project.

Avant-garde (Aesthetics) --- Arts --- Experimental methods --- Rauschenberg, Robert, --- Criticism and interpretation --- Brown Trisha --- Cage John --- 7.071 RAUSCHENBERG --- kunst en muziek --- kunst en dans --- muziek --- dans --- kunst --- performances --- abstract expressionisme --- twintigste eeuw --- 75.071 RAUSCHENBERG --- assemblage --- installaties --- schilderkunst --- Rauschenberg Robert --- Verenigde Staten --- pop art --- Rauschenberg, Milton Ernest, --- Criticism and interpretation. --- Aesthetics --- Modernism (Art) --- Avant-garde (Aesthetics) - United States --- Arts - Experimental methods --- Rauschenberg, Robert, - 1925-2008 - Criticism and interpretation --- Rauschenberg, Robert, - 1925-2008